In the summer of 1971 Clarrie Cooper lived at Villa Nellcote, Keith Richards' fabled mansion in the South of France where The Stones recorded their masterpiece, Exile on Main Street. Here Clarrie has a chance meeting with her old schoolfriend, Anita Pallenberg.

On my second afternoon in Cannes I was at the Grande Salle, watching a movie like a Clint Eastwood western acted by amputees and dwarves. Everyone was wading around in lakes of gore and shouting at each other in Spanish. Afterwards the bar was loud with acclaim for a new cinematic genius. I realised it had been pointless to fly halfway around the world. When someone asked my opinion I said, ‘I don’t have the faintest fucking idea what’s going on.’
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